You also loose playing range the less your vent mach is. NOt every box is made for maximum output.
And I did a 2 sundown x-15's 4th order with vent mach like 35 m/s and he did over a 150-151 @ 28 hz. Most people don't want straight SPL.
Minimum vent diameter is determined by displacement (Sd * Xmax) and tuning frequency (Fb).Hey Fade quick question, How do you determine proper port area by using displacement and xmax numbers? always wondered about this and nobody seems to be on the same page about it.
You also loose playing range the less your vent mach is. NOt every box is made for maximum output.The science has been put up. If you are getting compression or noise your loosing output.
As long as the vent match is under .08 your fine.
Box be too bigYou also loose playing range the less your vent mach is. NOt every box is made for maximum output.The science has been put up. If you are getting compression or noise your loosing output.
As long as the vent match is under .08 your fine.
And I did a 2 sundown x-15's 4th order with vent mach like 35 m/s and he did over a 150-151 @ 28 hz. Most people don't want straight SPL.
There wasn't a huge fall off above tuning. Box was tuned @ 43 hz front chamber and played up to 55-60 hz strong from what I understand. But keep in mind the box was made to play like 25-35 hz strongly as requested by customer.Box be too big![]()
Yes the port has its own frequency response and dampening but if you have any fall off above tuning you need to shrink your box a little bit
Did you try more port area? You might actually gain unless the dampening isn't high enough.There wasn't a huge fall off above tuning. Box was tuned @ 43 hz front chamber and played up to 55-60 hz strong from what I understand. But keep in mind the box was made to play like 25-35 hz strongly as requested by customer.Box be too big![]()
Yes the port has its own frequency response and dampening but if you have any fall off above tuning you need to shrink your box a little bit
It was a box I designed for someone. So I didn't have access to the box. The point is why would he need to gain with that high of a score. The goal for him was lows and music, wasn't even about SPL but he still had a good SPL score with a small-ish type port, that's my point. I did 149.3 @ 35 hz, 2 18's 2400 watts with 12.3 in^2 per cube tuned at 29 hz in 13 cubes. The woofers were under powered. It also played from about 27 to about 60 over a 147, fairly flat. First time out with an RX-8 using about 16 in^2 per cube with 2 10's we immediately broke the trunk record for that year. What about all these guys that have aeros and round and octo ports that are running 8-10-12 in^2 per cube that are breaking records? For what 99% of what people want, you don't need a big port area.Did you try more port area? You might actually gain unless the dampening isn't high enough.
I've built an tested a hand full of boxes that had to much port area I agree with you there is a limit before the damping is to low to have cone control.
In^2 per cube is still a great way to predict response. So for a designer like me, you take any 600 watt or 1000 watt sub, 10"-18", the port area tends to not be that much different if the goals are the same. Musically, 10-12 in^2 per cube has worked great with slots, but that's with 1500 watts and below woofers. 16 in^2 worked great with music say the Fi Team 15 we did in the trunk of a VW Jetta? I believe it was a Jetta. I've built a lot of boxes to go in a lot of vehicles for a lot of different subs. After a while, patterns do emerge. Now my designing is mostly around loud music, not pure SPL. SPL is a different ball game when you're searching for every last bit. But most people, as I say again, don't want straight SPL. You don't daily drive your drag car, so why have the widest tires and the biggest engine where you can't even take a turn without failing? Idk if I'm ego tripping or what but what the point of loud bass if you can't play music.When I build a box I get enough port area to be lelow vent match. I don't care about a vent per cube figure. It's just something that was coined. I've used 200in^2 for a single 15 done 153 with 3k and one 15.
What's a low qts to you?I've yet to see anyone mention the importance of the sub's qts when determining port area. Rules of thumb are okay for mid and high q subs, but low qts subs are a different ballgame. Most of the time, the vent area in a box designed for low qts subs with lots of power ends up being 1.5-2x the sub's airspace when it's tuned low.
Below .4What's a low qts to you?
What ya consider high?Below .4What's a low qts to you?
.4 isn't that low if the Fs isn't too high, when it comes to vent speed.Below .4
I agree. But different drivers respond totally different. I just try to get enough to avoid compression and call it a day..I am nowhere near as smart as most posting in this thread, but I wanted to just say my .02, my most musical wide bandwidth enclosures are always those that had lower port area. I find running on the higher end seems to flatten and widen the sound, obviously I'm not a pure SPL guy.
I usually use winisd or BBP to model and try to get the least port area w/o going over.
.7 and aboveWhat ya consider high?
I've found that when the qts starts to get below .4 that the scaling of the vent area at different power levels starts to deviate quite a bit from that of a mid q sub..4 isn't that low if the Fs isn't too high, when it comes to vent speed.
^^That's pretty much how I always do it. I like to keep vv between 24-26 m/s, keeps vv is close to Mach with a little bit of headroom. After the ssf and lpf is set for the box/tuning, the vv will drop some anyways.When I build a box I get enough port area to be lelow vent match. I don't care about a vent per cube figure.